Description
Lydbok - Lars Saabye Christensen: Oscar Wildes heis - Lest av Kim Haugen
➡ ♥♥♥ Link: Erik fosnes hansen gift
➡ ♥♥♥ Link: https://dating18plus.ru/Latoya1989
Sammen med og bøker, utgjorde denne romanen den tredje del av den markante begynnelsen på den nordiske renessanse i det internasjonale litterære liv på 90-tallet. From nineteenth-century Sweden to Renaissance Italy, Hansen weaves together exquisite stories in a searching and impressive enquiry into why things happen the way they do...
Forget the lecture about serialization as an alternative to rational causation; that's just an old mining engineer's effort to explain what he does not understand. In Renaissance Italy, a cabinetmaker's son apprenticed to a merchant exiled from Florence comes of age as he tries to assist his master to learn the secret of an altar painting with ostensibly magical qualities. I januar 2011 utkom den på fransk på forlaget , og fikk god omtale i aviser som og.
Description - Boken er blitt solgt til og er utkommet i flere land, bl. Albumet ble dessuten nominert i klassen viser.
From nineteenth-century Sweden to Renaissance Italy, Hansen weaves together exquisite stories in a searching and impressive enquiry into why things happen the way they do... Bolt has died and lies in his coffin reflecting on the past. An eccentric scientist, he devoted his life to a vast research undertaking - collecting random incidents from the history of the species and finding the underlying pattern that connects them. His reveries lead him to tell two other tales - one of a doomed lighthouse keeper on a Swedish island and another of rivalry among Renaissance artists - until, finally, he tells a startling tale from his own early manhood. Bolt has died and lies in his coffin reflecting on the past. An eccentric scientist, he devoted his life to a vast research undertaking - collecting random incidents from the history of the species and finding the underlying pattern that connects them. His reveries lead him to tell two other tales - one of a doomed lighthouse keeper on a Swedish island and another of rivalry among Renaissance artists - and finally to tell a startling tale from his own early manhood. From the Publisher Though it took me more than expected to read it, I believe this work was definitely worth reading. Erik Fosnes Hansen deplays an eclectic style by using descriptions together with inner thoughts and flashbacks. All these elements contribute to a master work of literature. The stories are simple enough to summarize. An elderly mining engineer turned capitalist, who tends bees and husbands an ape on his Oslo estate, inexplicably falls in love with his grand niece. A century earlier, a Baltic mariner turned lighthouse keeper's assistant cares for the keeper's sick daughter but bears some hidden responsibility for the deaths of the crew of a shipwrecked vessel. In Renaissance Italy, a cabinetmaker's son apprenticed to a merchant exiled from Florence comes of age as he tries to assist his master to learn the secret of an altar painting with ostensibly magical qualities. Getting there, however, is much more than half of the fun. Fosnes writes with authority and ease about, for example, mineralogy, the preparation of panels and egg tempera, the habits of highwaymen, the socialization of bees, the treatment of diseases with herbs and ointments, the corruption of monasteries, the troubles of Ovid, and the awkwardness of first-time lovers. Forget the lecture about serialization as an alternative to rational causation; that's just an old mining engineer's effort to explain what he does not understand. All literature is about mystery, all stories are patterned, the pleasure is encountering in another place and time what we already sense, if do not know, about what connects us to the planet. Olsen This is an amazing book - meticulously constructed and lovingly built, word-by-word and scene-by-scene. I was not disappointed in the least - I found the novel satisfying on many levels, and I know that I'll want to re-read it more than once. There are elements that link the four parts together that are only evident in hindsight - now that I've seen at least some of them on the first pass, I'd love to re-experience the book with that knowledge in hand. I imagine that I'll find other, more subtle links when I do that. The copious elements involved in each tale are there because they need to be - and they give each tale a stunning degree of depth, illuminating the richness of the characters' passions for the reader to an extent that allows them to experience how these passions consume the characters themselves. What makes a mining engineer love his work, what breathes life into his existence - or a lighthouse keeper, or a painter, or, for that matter, anyone? The author goes deeply into the anatomy of various subjects - geology, beekeeping, the history and function of lighthouses, painting - each time in order to more vividly illuminate the lives and souls of his characters. He writes also of love, in each of the stories. They span time from approximately the present day in the first, to the 19th century in the second, to Renaissance Italy in the third, and back to the 20th century in the fourth - and through them all are spun precious threads, like silver and gold running through a rich tapestry, linking the lives and stories together through space and time. I'm afraid if I go into any more detail I'll give too much of the experience of this masterpiece away - if you enjoy writing of the highest caliber that challenges both your intellect and your memory, you owe it to yourself to devote the necessary time to this novel - it's 500 pages long, and it deserves your complete attention. I don't think you'll be disappointed...